#Asier Newman

[badmovieihave]

Bad movie I have The Broken 2008

[stickymoviestar]

ブロークン

2008年製作 原題 The Broken 監督 ショーン・エリス

ショーン・エリス作品として前作『フローズン・タイム』と比較されがち。前作の方がイイと言う人が多そうだけど、こっちの方が映画として一貫性があるように感じた。前作のような独創性は表面に出さずに、正攻法���来た感じ。

思い返��ば、いろんな伏線が張られてたけど、半分位しか回収できなかった気がする。

前作よりは地味だけどショーン・エリスらしい映像美。

音響はもっと違う雰囲気でも良かったかも。

★★★: Fair (satisfaction: 40%-60%)

[demi-shoggoth]

COVID-19 Reading Log, part 3

Parts One and Two

16. An Astounding Atlas of Altered States by Michael J. Trinklein. I’ve actually read this book before but hadn’t realized it until I got started—its first edition was titled simply Lost States. It’s a coffee table book. Each double page spread has one map depicting the proposed or presumed boundaries of a piece of territory that never became a US state, and the other page is information on the history of that non-state. Most of them fall into three categories—attempts to carve up Western territories that didn’t make it (for values of the west as far east as the Appalachian Mountains, because some of these are from the 1700s), splits to existing states due to interstate politics, or overseas territories, either those actually owned by the USA (Puerto Rico, the Marshall Islands) or not (Greenland, Newfoundland). I would be just as interested, if not more so, in a more in depth approach to the subject (maybe focusing on a smaller number of candidates).

17. Written in Bones edited by Paul Bahn. This is a primer to forensic archaeology, in the form of a number of short articles about a variety of sites involving human remains. This is the first book I’ve read so far I would consider genuinely bad. Here’s why: a number of controversial topics are covered, but poorly (I will share some of these claims in parentheticals—note that these are not my claims, but the book’s). The coverage runs from being dismissive of the controversy (e.g. the butchered remains found among Anasazi dwellings are absolutely not evidence of cannibalism, and anyone who claims otherwise is ignorant) to ignoring the existence of any controversy at all (e.g. Kennewick Man is definitely not related to modern Native American groups and syphilis definitely existed in Europe before the Columbian Exchange). It claims that two skeletons found in the Tower of London, which haven’t been scientifically examined since the 1930s, are almost certainly the lost sons of Edward IV, supposedly murdered by Richard III. On top of that, several articles use outdated and super-racist terminology, like splitting human populations into “Negroid”, “Caucasoid” and “Mongoloid”. And these are just things that I noticed, and I’m by no means an expert. What else could this book be misleading about, or what outright lies is it telling? Skip this one.

18. Fantastic Archaeology by Stephen Williams. This book was chosen in part with the intention of washing the bad taste of Written in Bones out of my mouth, which it succeeded in doing. The focus of the book is on pseudoscientific takes on the archaeology of pre-contact Native Americans and various claims for pre-Columbian European expeditions to North America. The Kensington Rune Stone, Prince Madoc and various Lost Tribes related forgeries are taken to task here. The author is clearly an expert, both on the actual archeology and on the frauds, cranks and rogue professors (the author’s coinage) that appear. The final chapter is a lengthy survey of the state of the art knowledge of what actual pre-Columbian North American cultures were like, based on the evidence when the book was written (early 1990s).

19. Dinosaur Facts and Figures: The Theropods and Other Dinosauriformes by Rubén Molina-Pérez and Asier Larramendi. This book is right on the borderland between being a popular and technical volume. It’s mostly data—lengths of dinosaurs, drawings of bones, footprints and eggs, estimates for weights and speeds—but it’s sold at popular literature prices (aka reasonable for a 250 page book with color illustrations). The focus is on the largest and smallest theropods, sorted first by clade, and then chronologically. The real selling points here are the thoroughness and the art. Unusually for anything approaching the popular sphere, dinosaurs discussed in depth include animals not formally described, ichnotaxa and ootaxa (that’s names based on footprints and eggs, respectively), and various nomen dubia (specimens with doubtful or useless names attached). Some of the animals in the book are getting full life reconstructions in print for the first time, and there’s definitely species and specimens I’d never heard of throughout. The book is translated from Spanish, and there are a few places where the translation is awkward or missed a word or two. It’s the first in a three part series—the book on sauropods and their relatives releases later this year, and I am looking forward to it.

20. Lost Feast by Lenore Newman. The book is on the subject of culinary extinction, the loss of species or cultivars eaten by humans. The author is a food researcher and the book straddles the line between cultural history and ecology. Some of the losses are from overharvesting (e.g. passenger pigeons and fisheries), some are from market forces (e.g. the reduction of plant cultivars) and others are from a combination of factors, not fully understood (like colony collapse disorder). The titular feast is a series of dinner parties held throughout the book in honor of losses and featuring near misses (pear cultivars are a running theme). This book is also a milestone for this particular project—this is my last (physical) library book! All of the libraries in my area are closed due to quarantine.

[remedialreviews]

Remedial Awards, 2019

It’s time again for the Remedial Awards! I have watched more than 70 feature films released in 2019, 29 of which have been nominated for one or more Academy Awards (33 narrative feature films have been nominated for Oscars this year). Not that many will read this anyway, but I want to recognize that I am just another in a long list of white men who have weighed in on film this year (and every year since film was first developed), and have no “buts” to express about it: I dream of a world where we’re given colour in the Best Actor list and where women are nominated for Best Director, and the prevalence and dominance of the white male voice is a major contributing factor to the continuing lack of diversity in Hollywood.

Below, find my lists for most every feature category, ranked in order of my own preference. Those left out by the Academy that I believe deserved nominations are ranked and crossed out, while those that were nominated and (in my opinion) should not have been, are ranked below a stroke. I have not included Razzies this year, but know that I absolutely detested Joker. My largely uninformed prediction for the winner of each category will be marked with an asterisk. Films or performances I have not seen have been recorded in italics beneath the category. Without further ado . . .

Supporting Actress:

1. Florence Pugh ( Little Women ) 2. Adele Haenel ( Portrait of a Lady on Fire ) 3. Thomasin McKenzie ( Jojo Rabbit ) 2. Margot Robbie ( Bombshell ) 5. Penelope Cruz ( Pain and Glory ) 6. Jennifer Lopez ( Hustlers ) 3. Laura Dern ( Marriage Story )* 4. Scarlett Johansson ( Jojo Rabbit )

Kathy Bates ( Richard Jewell )

Makeup and Hair:

1. Portrait of a Lady on Fire 1. 1917 2. Bombshell* 4. Little Women 3. Judy -------------------------- Joker

Maleficent: Mistress of Evil

Costume Design:

1. Jacqueline Durran ( Little Women ) 2. Dorothée Guiraud ( Portrait of a Lady on Fire ) 3. Andrea Flesch ( Midsommar ) 4. Kym Barrett ( Us )  2. Mayes C. Rubeo ( Jojo Rabbit ) 6. Norma Moriceau ( Aladdin ) 3. Arianne Phillips ( Once Upon a Time in Hollywood )* 4. Sandy Powell and Christopher Peterson ( The Irishman ) -------------------------- Mark Bridges ( Joker )

Production Design:

1. Dennis Gassner and Lee Sandales ( 1917 ) 2. Lee Ha-Jun and Cho Won Woo, Han Ga Ram, and Cho Hee ( Parasite ) 3. Donal Woods ( Downton Abbey ) 3. Barbara Ling and Nancy Haigh ( Once Upon a Time in Hollywood )* 4. Bob Shaw and Regina Graves ( The Irishman ) 6. Henrik Svensson ( Midsommar ) 7. David Crank ( Knives Out ) 5. Ra Vincent and Nora Sopkova ( Jojo Rabbit )

Cinematography:

1. Roger Deakins ( 1917 )* 2. Claire Mathon ( Portrait of a Lady on Fire ) 3. Drew Daniels ( Waves ) 2. Jarin Blaschke ( The Lighthouse ) 5. Pawel Pogorzelski ( Midsommar ) 6. Fejmi Daut and Samir Ljuma ( Honeyland ) 7. Hong Gyeong-Pyo ( Parasite ) 8. Phedon Papamichael ( Ford v Ferrari ) 9. Yorick Le Saux ( Little Women ) 10. Anna Franquesa Solano ( The Farewell ) -------------------------- Robert Richardson ( Once Upon a Time in Hollywood ) Rodrigo Prieto ( The Irishman ) Lawrence Sher ( Joker )

Best International Feature Film:

1. Parasite* 2. Portrait of a Lady on Fire 2. Pain and Glory 3. Corpus Christi 5. I Lost My Body 4. Honeyland 7. Dirty God 8. Atlantique 9. Ash is Purest White

Les Miserables

Supporting Actor:

1. Willem Dafoe ( The Lighthouse ) 1. Tom Hanks ( A Beautiful Day in the Neighborhood ) 3. Timothee Chalamet ( Little Women ) 4. Lucas Hedges ( Waves ) 2. Anthony Hopkins (The Two Popes) 6. Asier Etxeandia ( Pain and Glory ) 7. Dean-Charles Chapman ( 1917 ) 3. Al Pacino ( The Irishman ) --------------------------  Joe Pesci ( The Irishman ) Brad Pitt ( Once Upon a Time in Hollywood )*

Animated Feature:

1. How to Train Your Dragon: The Hidden World 2. I Lost My Body 3. Klaus 4. Missing Link 5. Abominable 5. Toy Story 4*

Animated Short:

1. Dcera (Daughter) 2. Hair Love* 3. Memorable 4. Sister 5. Kitbull

Visual Effects:

1. Avengers: Endgame* 2. The Lion King 3. 1917 4. Ad Astra 5. Ford v Ferrari 4. Star Wars Episode IX: The Rise of Skywalker -------------------------- The Irishman 

Razzie: Alita: Battle Angel

Live Action Short Film:

1. Brotherhood 2. Nefta Football Club 3. A Sister -------------------------- The Neighbors’ Window*

Saria

Original Screenplay:

1. Rian Johnson ( Knives Out ) 2. Bong Joon-ho and Jin Won Han ( Parasite )* 3. Lulu Wang ( The Farewell ) 4. Céline Sciamma ( Portrait of a Lady on Fire ) 3. Noah Baumbach ( Marriage Story ) 6. Mateusz Pacewicz ( Corpus Christi ) 7. Susanna Fogel, Emily Halpern, Sarah Haskins, and Katie Silberman ( Booksmart ) 8. Robert Eggers and Max Eggers ( The Lighthouse ) 4. Sam Mendes and Krysty Wilson-Cairns ( 1917 ) -------------------------- Quentin Tarantino ( Once Upon a Time in Hollywood )

Adapted Screenplay:

1. Greta Gerwig ( Little Women )* 2. Taika Waititi ( Jojo Rabbit ) 3. Anthony McCarten ( The Two Popes ) 4. Andrew Huculiak ( Ash ) 5. Lorene Scafaria  ( Hustlers ) -------------------------- Steven Zaillian ( The Irishman ) Todd Phillips and Scott Silver ( Joker )

Original Score:

1. Alexandre Desplat ( Little Women ) 2. Thomas Newman ( 1917 ) 3. Rupert Gregson-Williams ( Abominable ) 3. Randy Newman ( Marriage Story ) 5. Cayne McKenzie ( Ash ) 6. Daniel Lopatin ( Uncut Gems ) 4. John Williams ( Star Wars Episode IX: The Rise of Skywalker ) -------------------------- Hildur Guðnadóttir ( Joker )* 

Razzie: Robbie Robertston ( The Irishman ) 

Original Song:

1. I’m Gonna Love Me Again ( Rocketman )* 2. Into the Unknown ( Frozen II ) 3. I’m Standing With You ( Breakthrough ) 4. Stand Up ( Harriet ) 5. I Can’t Let You Throw Yourself Away ( Toy Story 4 )

Lead Actor:

1. Tim Guinee ( Ash ) 1. Adam Driver ( Marriage Story ) 3. George MacKay ( 1917 ) 2. Antonio Banderas ( Pain and Glory ) 5. Kelvin Harrison, Jr. ( Waves ) 6. Adam Sandler ( Uncut Gems ) 7. Robert Pattinson ( The Lighthouse ) 3. Jonathan Pryce ( The Two Popes ) 9. Aaron Paul ( El Camino ) 10. Bartosz Bielenia ( Corpus Christi ) --------------------------  Leonardo DiCaprio ( Once Upon a Time in Hollywood ) Joaquin Phoenix ( Joker )*

Lead Actress:

1. Scarlett Johansson ( Marriage Story )* 2. Florence Pugh ( Midsommar ) 3. Taylor Russell ( Waves ) 2. Cynthia Erivo ( Harriet ) 3. Saoirse Ronan ( Little Women ) 6. Zhao Tao ( Ash is Purest White ) 7. Olivia Wilde ( A Vigilante ) 8. Noémie Merlant ( Portrait of a Lady on Fire ) 9. Vicky Knight ( Dirty God ) 10. Awkwafina ( The Farewell ) 4. Charlize Theron ( Bombshell ) -------------------------- Renee Zellweger ( Judy )

Director:

1. Céline Sciamma ( Portrait of a Lady on Fire ) 1. Bong Joon Ho ( Parasite )* 2. Sam Mendes ( 1917 ) 4. Lulu Wang ( The Farewell ) 5. Trey Edward Shultz ( Waves ) 6. Greta Gerwig ( Little Women ) 7. Elle-Máijá Tailfeathers, Kathleen Hepburn ( The Body Remembers ) 8. Sarah Daggar-Nickson ( A Vigilante ) -------------------------- Martin Scorsese ( The Irishman ) Quentin Tarantino ( Once Upon a Time in Hollywood ) Todd Phillips ( Joker )

Best Picture:

1. 1917* 2. Parasite 3. Knives Out 4. Portrait of a Lady on Fire 3. Little Women 4. Jojo Rabbit 7. Waves 5. Marriage Story 9. The Lighthouse 10. Pain and Glory -------------------------- The Irishman Ford v Ferrari Once Upon a Time in Hollywood Joker

Predictions for technical categories:

Sound Editing: Oliver Tarney and Rachel Tate ( 1917 )

Sound Mixing: Stuart Wilson ( 1917 )

Film Editing: Michael McCusker and Andrew Buckland ( Ford v Ferrari )

[kebee-s]

Publicis Media - The consumer in the tesseract from binalogue on Vimeo.

The tesseract, hypercubes and robots are some of the elements that constitute this motion adventure where we explore how the relationship between brands and consumers has evolved historically to reach its status quo, and what is Publicis Media’ forecast on how to interact with consumers effectively nowadays.

Creative mavericks Busto & Miguelez skilfully crafted a script for Publicis “Trends 2016“ online platform and invited us to turn it into an explainer video. An invitation that was nothing short of a challenge and that also required a soundtrack full of Aural’s sonic artistry.

By juxtaposing treatments and techniques we created this ever-changing journey that depicts and predicts what brands are meant to do to stay on top of the game in today’s hyper connected society.

Project info Client: Publicis Media - optimedia.es Agency: Busto y Miguelez - bustoymiguelez.com Production company: Binalogue - binalogue.com

Our role Co-Creative direction, Direction, Art direction, Design, 3D, Motion graphics & Compositing

Credits Co-creative direction: Busto y Miguelez Script: Busto y Miguelez Music, sound design & production: Aural - auralsound.com/ Voiceover: Asier Newman

View project binalogue.com/work/publicis-consumer-tesseract/

Behance project behance.net/gallery/37591859/Publicis-Consumer-in-the-tesseract-Explainer-Video -

Follow us behance.net/binalogue facebook.com/binalogue @binalogue

©2016 Binalogue binalogue.com

[federicodonati]

Publicis Media - The consumer in the tesseract from binalogue on Vimeo.

The tesseract, hypercubes and robots are some of the elements that constitute this motion adventure where we explore how the relationship between brands and consumers has evolved historically to reach its status quo, and what is Publicis Media’ forecast on how to interact with consumers effectively nowadays.

Creative mavericks Busto & Miguelez skilfully crafted a script for Publicis “Trends 2016“ online platform and invited us to turn it into an explainer video. An invitation that was nothing short of a challenge and that also required a soundtrack full of Aural’s sonic artistry.

By juxtaposing treatments and techniques we created this ever-changing journey that depicts and predicts what brands are meant to do to stay on top of the game in today’s hyper connected society.

Project info Client: Publicis Media - optimedia.es Agency: Busto y Miguelez - bustoymiguelez.com Production company: Binalogue - binalogue.com

Our role Co-Creative direction, Direction, Art direction, Design, 3D, Motion graphics & Compositing

Credits Co-creative direction: Busto y Miguelez Script: Busto y Miguelez Music, sound design & production: Aural - auralsound.com/ Voiceover: Asier Newman

View project binalogue.com/work/publicis-consumer-tesseract/

Behance project behance.net/gallery/37591859/Publicis-Consumer-in-the-tesseract-Explainer-Video -

Follow us behance.net/binalogue facebook.com/binalogue @binalogue

©2016 Binalogue binalogue.com

[screencolours]

Chaotic Ana [2007]

[leootoy-blog]

The Broken Movie Download

The Broken movie download

Actors:

Lena Headey Michelle Duncan Richard Jenkins Melvil Poupaud Daren Elliott Holmes Asier Newman Howard Ward Ulrich Thomsen

Download The Broken

. Netflix - Watch The Broken From the very first moment Gina (Lena Headey) spots a woman who looks exactly like her driving down a busy London street, reality ceases to exist as she knows it. This is the final count of teeth. Broken - WoWWiki - Your guide to the World of Warcraft Nobundo The Broken, also known as Krokul in Draenei, are a mutated and devolved subrace of draenei w The Broken: Worshipping Christ The Broken was founded originally in 2007 by Mike Gizzi as a worship band for Seaside Church in Bremerton, Washington. . The Broken (2008) - IMDb Director: Sean Ellis. All about teeth and the associated dental problems. Actors: Lena Headey: Gina McVey Ulrich Thomsen: Dr. The Broken | Free Music, Tour Dates, Photos, Videos The Broken's official profile including the latest music, albums, songs, music videos and more updates. The Broken possesses a melodic, yet dark guitar. The Broken (film) - Wikipedia, the free encyclopedia The Broken is a horror film written and directed by Sean Ellis and starring Lena Headey. The Broken Dental Problems. A woman is thrust into a world where everything is subtly unfamiliar in this edgy thriller from writer and. The Broken (2009) - MovieWeb.com - Movie Trailers, New Movies. Filed under: Dental Health

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[ilulac-blog]

The Broken Movie Now

The Broken movie download

Actors:

Daren Elliott Holmes Lena Headey Michelle Duncan Asier Newman Richard Jenkins Ulrich Thomsen Melvil Poupaud

Download The Broken

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